{"id":40289,"date":"2022-01-21T12:10:00","date_gmt":"2022-01-21T11:10:00","guid":{"rendered":"https:\/\/dansenshus63c7e7a70b457.cloud.bunnyroute.com\/?post_type=dh_event&p=40289"},"modified":"2023-05-22T10:41:08","modified_gmt":"2023-05-22T08:41:08","slug":"elisabeth-gets-her-way","status":"publish","type":"dh_event","link":"https:\/\/dansenshus.se\/en\/program\/elisabeth-gets-her-way\/","title":{"rendered":"Jan Martens [Bel] | Elisabeth gets her way"},"content":{"rendered":"

In the performance\u00a0Any attempt will end in crushed bodies and shattered bones,<\/em>\u00a0which would have been shown on our stage in early February 2022, Jan Martens used music by Elisabeth Chojnacka. Martens was fascinated by the Polish musician. In the solo Elisabeth Gets Her Way<\/em>danced by himself, she gets the time and space she deserves.<\/p>\n

Elisabeth Chojnacka (1939 - 2017) was an exceptionally talented and passionate musician who was partly responsible for the revival of harpsichord music in the mid-20th century. Thanks to her talent and perseverance, in the 1970s and 1980s a large number of musicians (Ligeti, Xenakis, Ferrari, Berio, Halffter) wrote new works for harpsichord, often dedicated to Chojnacka.<\/p>\n

It goes without saying that music plays a major role in this performance, with a soundtrack covering a wide range of composers. From Nyman to Montague to Ligeti, always in a performance by Chojnacka. Martens plays his body like Chojnacka plays the harpsichord. Different movement styles are brought together. Martens glides through them as easily as Chojnacka does between historical and modern musical registers. The dance is interwoven with a documentary layer about Chojnacka's work and life.<\/p>\n

Listen to Jan Martens talk about his performance in a interview produced by Dansens Hus Oslo<\/a> and read his text on Elisbeth Chojnacka<\/a>.<\/p>","protected":false},"excerpt":{"rendered":"

A danced tribute to a fascinating musician. A dance portrait that slides between movement styles and musical genres. <\/p>","protected":false},"featured_media":40271,"menu_order":0,"template":"","class_list":["post-40289","dh_event","type-dh_event","status-publish","has-post-thumbnail","hentry","dh_eventcategory-stora-scen","dh_eventcategory-forestallningar"],"meta_box":{"components":[{"component_type":"embed","embed_group":{"embed_type":"video","embed_video":"668238446","embed_caption":"Intervju med Jan Martens"}},{"component_type":"artist","embed_group":{"embed_type":"gallery"},"component_artist":{"artist_image":"37684","artist_heading":"Jan Martens","artist_text":"Jan Martens (\u00b01984, Belgien) Koreografen och dansaren Jan Martens har arbetat som dansare i flera belgiska kompanier, d\u00e4ribland United-C och Ann Van den Broek. Han utexaminerades fr\u00e5n Artesis Conservatory for Dance i Antwerpen 2006. Sedan 2009 \u00e4r han \u00e4ven verksam som koreograf med ett flertal internationella succ\u00e9er bakom sig, senast THE DOG DAYS ARE OVER och SWEAT BABY SWEAT. I sitt arbete vill han framh\u00e4va sk\u00f6nheten i den m\u00e4nskliga imperfektionen, snarare \u00e4n fysisk virtuositet.\r\n\r\nMartens \u00e4r sedan 2017 creative associate<\/em> vid deSingel international arts campus (Antwerp, BE), fram till 2021. Han \u00e4r ocks\u00e5 medgrundare av den koreografiska plattformen GRIP<\/a>."}}],"grid_description":"","mobile_featured_image":false,"show_group":[{"show_datetime":"2022-02-02 19:00","show_link":"https:\/\/www.ticketmaster.se\/event\/jan-martens-crushed-bodies-and-shattered-bones-biljetter\/597867"},{"show_datetime":"2022-02-01 19:00","show_link":"https:\/\/www.ticketmaster.se\/event\/jan-martens-crushed-bodies-and-shattered-bones-biljetter\/597863"}],"featured_image_position":"","event_address":"","event_google_maps_url":"","background_topbanner":"#ddb3b3","color_topbanner":"light","overlay_topbanner":"none","gradient_topbanner":"","reviews":[{"review_source":"Annette Embrechts, De Volkskrant","review_quote":"Jan Martens puts his finger on the innovativeness of Elisabeth Chojnacka (1939-2017) in such an ingenious and precise way that you are left in awe."},{"review_source":"Evgeny Borisenko, Tanzschreiber","review_quote":"...it is just as glorious to watch and hear Martens and Chojnacka fuse their art in a riveting celebration of radical emotional force."}],"offstage_image":false,"offstage_group":[{"offstage_content":"Stanna kvar efter f\u00f6rest\u00e4llningen 1 februari f\u00f6r d\u00e5 sker ett samtal mellan Jan Martens och Dansens Hus teaterchef Joannes \u00d6hman."}],"credits":[{"credits_role":"Koreografi & dans","credits_name":"Jan Martens"},{"credits_role":"Ljuddesign dokumentation","credits_name":"Yanna Soentjens"},{"credits_role":"Ljusdesign","credits_name":"Elke Verachtert"},{"credits_role":"Kostymdesign","credits_name":"C\u00e9dric Charlier"},{"credits_role":"Videoutdrag","credits_name":"\u00a9 Archives INA"},{"credits_role":"Musik","credits_name":"\u201cTango for Tim\u201d R\u00e9f Im: 164578 Musique de Michael Nyman \u00a9 Chester Music Ltd repr\u00e9sent\u00e9s par Premi\u00e8re Music Group; \"Phrygian Tucket\u201d by Stephen Montague. Copyright \u00a9 2000, Stephen Montague, used by permission of UNITED MUSIC PUBLISHING LTD, England.; \u201cContinuum\u201d by Gy\u00f6rgy Ligeti. Het werk wordt gepresenteerd onder toezicht van Auteursbureau ALMO te Antwerpen namens Schott Music.; \u201cCommencement\" by Zygmunt Krauze. Copyright \u00a9 1982, Sonora Music for Zygmunt Krauze.; \"Profil Sonore\" by Graciane Finzi. Copyright \u00a9 1970, Graciane Finzi.; \"Concerto pour Clavecin\u201d by Manuel de Falla (1926).; \"Uppon La Mi Re\u201d by Anonymous (16th Century)"},{"credits_role":"Tekniker","credits_name":"Michel Spang\/Elke Verachtert"},{"credits_role":"Outside eye","credits_name":"Marc Vanrunxt, Anne-Lise Brevers, Rudi Meulemans"},{"credits_role":"Produktion","credits_name":"GRIP"},{"credits_role":"Samproduktion","credits_name":"DE SINGEL (Antwerp, BE), Les Hivernales \u2013 CDCN d\u2019Avignon (FR), Julidans (Amsterdam, NL), C-TAKT (Limburg, BE) and Perpodium (BE)"},{"credits_role":"Internationell distribution","credits_name":"A Propic \u2013 Line Rousseau en Marion Gauvent"},{"credits_role":"Residens","credits_name":"DE SINGEL (Antwerp, BE), Les Hivernales \u2013 CDCN d\u2019Avignon (FR), Toneelhuis (Antwerp, BE), ccBe (Antwerp, BE), C-TAKT (Limburg, BE) and CN D \u2013 Centre national de la danse (Paris, FR)"},{"credits_role":"Med st\u00f6d av","credits_name":"The Flemish Government, Tax Shelter of the Belgian Federal Government and Cronos Invest"},{"credits_role":"Tack till","credits_name":"INA - l'Institut National de l' Audiovisuel, Les Ballets de Monte-Carlo sous la Pr\u00e9sidence de S.A.R. la Princesse de Hanovre - Direction: Jean-Christophe Maillot, Graciane Finzi, R\u00e9gis Mitonneau, Anne Montaron, Emmanuelle Tat, Fran\u00e7ois-Bernard M\u00e2che, Zygmunt Krauze, Stephen Montague, Rapha\u00ebl de Gubernatis, Claire Verlet, Ty Boomershine, Joris van Oosterwijk, Liselotte Sels and Kinga Jaczewska"},{"credits_role":"Foto","credits_name":"Luis Xertu"}],"event_startdatum":"2022-02-01","event_slutdatum":"2022-02-02","event_duration":"70","event_pause":"0","event_pause_length":"","event_tickets_url":"","event_extra_info":"","post_cards":[],"artist-to-event_from":[]},"_links":{"self":[{"href":"https:\/\/dansenshus.se\/en\/wp-json\/wp\/v2\/dh_event\/40289","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dansenshus.se\/en\/wp-json\/wp\/v2\/dh_event"}],"about":[{"href":"https:\/\/dansenshus.se\/en\/wp-json\/wp\/v2\/types\/dh_event"}],"version-history":[{"count":0,"href":"https:\/\/dansenshus.se\/en\/wp-json\/wp\/v2\/dh_event\/40289\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dansenshus.se\/en\/wp-json\/wp\/v2\/media\/40271"}],"wp:attachment":[{"href":"https:\/\/dansenshus.se\/en\/wp-json\/wp\/v2\/media?parent=40289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}