{"id":47306,"date":"2024-11-25T11:00:41","date_gmt":"2024-11-25T10:00:41","guid":{"rendered":"https:\/\/dansenshus.se\/?post_type=dh_event&p=47306"},"modified":"2025-04-02T21:21:46","modified_gmt":"2025-04-02T19:21:46","slug":"philip-berlin-swe-lexpose","status":"publish","type":"dh_event","link":"https:\/\/dansenshus.se\/en\/program\/philip-berlin-swe-lexpose\/","title":{"rendered":"Philip Berlin [SWE] | L\u2019expos\u00e9"},"content":{"rendered":"

Through density, centrifugal force and expansion, waste becomes a crucial part of human existence. I L\u2019expos\u00e9<\/em> dance becomes a catalyst that embraces waste as a radical concept. Here you don't encounter waste as a societal or individual abuse, with infinite resources, but as a fundamental human drive. The choreography alternates between dissonance and assonance, flow and interruption. With a high frequency of movements and glitches, constantly changing direction, intention, character and energy - and a set design and conceptual world inspired by everything from Renaissance costumes, Merce Cunningham's software DanceForms<\/em>From the musical universe of Hildegard of Bingen to post-punk concerts - a sensory overload is created that concretises the idea of inevitable, liberating abundance.<\/p>\n

\"<\/em>Dancing<\/em><\/strong>\u202f<\/em><\/strong>is a spiritual<\/em><\/strong>\u202f<\/em><\/strong>exercise<\/em><\/strong>\u202f<\/em><\/strong>in a physical form<\/em><\/strong>\"\u00a0<\/em><\/h3>\n

Merce Cunningham<\/span><\/p>\n

Through the dance, the waste takes on a physical form that vibrates through movement between precision and chaos, weight and intensity. Here - in the abundance of movement - an endeavour arises for the dancer\u00a0spirit<\/em>, where every step becomes an activity of life's excesses. L\u2019expos\u00e9<\/em> does not look for a solution, neither in the absence of anything, nor in the promises of consumerism, but sees waste as an inevitable part of life - even a powerful and fundamental part of existence. The choreography was developed using an analogue version of Merce Cunningham's software DanceForms<\/em>, with an interest in creating a complex composite movement material that weaves together the various components of dance into an unpredictable yet organic system of abstract movements. The dancers move rapidly and elastically through space, in complex and multiple trajectories, embodying concepts of centrifugal force, acceleration and expansion.<\/p>","protected":false},"excerpt":{"rendered":"

Enter the abundance of movement and experience pleasure, emancipation, transcendence - and real intensity in an abundance of movement. <\/p>","protected":false},"featured_media":47319,"menu_order":0,"template":"","class_list":["post-47306","dh_event","type-dh_event","status-publish","has-post-thumbnail","hentry","dh_eventcategory-elverket","dh_eventcategory-forestallningar"],"meta_box":{"components":[{"component_type":"artist","component_artist":{"artist_image":"47323","artist_heading":"Om Philip Berlin","artist_text":"Philip Berlin \u00e4r baserad i Stockholm och arbetar med dans i Sverige och internationellt. Berlin har visat verk p\u00e5 Th\u00e9\u00e2tre de la ville, Dansens Hus, Oslos operahus, MDT och Moderna Museet.<\/em>\r\n\r\nBerlin har varit en \u00e5terkommande konstn\u00e4rlig samarbetspartner med Cristina Caprioli, och var involverad i skapandet av 'Omkretz' som sattes upp p\u00e5 MoMA PS1 New York, Annenberg Center Philadelphia och Fabbrica Europa Florence.\r\n\r\nBerlin har samarbetat med Gis\u00e8le Vienne och turnerat internationellt med produktionen \u2018Crowd\u2019. Vidare har han arbetat med Ballet de Lorraine, d\u00e4r han dansat i verk av bland andra Merce Cunningham, Mathilde Monnier, William Forsythe, Tero Saarinen, Faustin Linyekula och Maria La Ribot. Han har \u00e4ven dansat i verk av Bj\u00f6rn S\u00e4fsten, M\u00e5rten Sp\u00e5ngberg, Fr\u00e9d\u00e9ric Gies och Mats Ek.\r\n\r\n2014\u20132019 initierade han tillsammans med Ulrika Berg, Cristina Caprioli och Anna Grip projektet SUNDAY RUN UP \u2013 ett sammanhang som samlade konstn\u00e4rer verksamma inom litteratur, koreografi, musik och bildkonst. Ett projekt v\u00e4xer fram f\u00f6r att skapa utrymme f\u00f6r konstn\u00e4rliga praktiker och sociala processer."},"embed_group":{"embed_type":"gallery"}},{"component_type":"artist","component_artist":{"artist_heading":"Philip Berlins inspirationsk\u00e4llor","artist_text":"

I sitt arbete med L'expos\u00e9<\/em> har Philip Berlin tittat p\u00e5 olika k\u00e4llor, inte minst koreografen Merce Cunninghams datorprogram \"DanceForms\" och komposit\u00f6ren, f\u00f6rfattaren och abedissan Hildegard av Bingens musikaliska universum. Nedan kan du l\u00e4sa lite mer om vilka de var.\u00a0<\/strong><\/span><\/h3>\r\nMerce Cunningham (1919\u20132009)<\/strong> var en amerikansk koreograf och dansare, som verkade i f\u00f6rgrunden f\u00f6r amerikanskt avantgarde i \u00f6ver 50 \u00e5r. Cunningham anses vara en av de fr\u00e4msta koreograferna inom samtida och modern dans. Cunningham startade sitt eget danskompani 1953 och skapade genom detta hundratals unika koreografiska verk. Cunninghams dansverk definierades ofta av precision och komplexitet, kombinerade med intensiv fysikalitet och teoretiska ing\u00e5ngar. I m\u00e5nga av Cunninghams verk har scenens begr\u00e4nsningar ofta omf\u00f6rhandlats och dansarnas och publikens roller ifr\u00e5gasattes \u2013 en metod som ans\u00e5gs banbrytande f\u00f6r sin tid.\r\n\r\nUnder 1980\u20131990 talet utvecklade Cunningham datorprogrammet DanceForms \u2013 ett digitalt verktyg f\u00f6r att visualisera och ta fram koreografiska r\u00f6relser. Motion Capture (ett verktyg som har skapats f\u00f6r att, med h\u00f6g precision, spela in r\u00f6relser fr\u00e5n f\u00f6rem\u00e5l och\/eller m\u00e4nniskor) integrerades i programmet vilket m\u00f6jliggjorde att verklig m\u00e4nsklig r\u00f6relse kunde visualiseras i programmet.\r\n\r\nHildegard av Bingen (1098\u20131179) <\/strong>var en abbedissa, tons\u00e4ttare, mystiker, predikant och f\u00f6rfattare under medeltiden. Hon var bildad inom en rad omr\u00e5den och skrev b\u00f6cker s\u00e5v\u00e4l som musik, predikade och anlade kloster. De senaste decenniernas uppm\u00e4rksamhet f\u00f6r kvinnor i den medeltida katolska kyrkan har lett till ett allm\u00e4nt intresse f\u00f6r Hildegards musik. F\u00f6rutom Ordo Virtutum som \u00e4r ett musikaliskt drama, tillskrivs Hildegard \u00f6ver 69 musikaliska kompositioner, var och en med sin egen poetiska originaltext, n\u00e5got som g\u00f6r att Hildegard \u00e4r en av de mest talrika komposit\u00f6ren under medeltiden.\r\n\r\n \r\n\r\n "},"embed_group":{"embed_type":"gallery"}}],"grid_description":"","mobile_featured_image":false,"show_group":[{"show_datetime":"2025-04-03 19:00"},{"show_datetime":"2025-04-04 19:00"},{"show_datetime":"2025-04-05 16:00"}],"featured_image_position":"","event_address":"","event_google_maps_url":"","background_topbanner":"","color_topbanner":"dark","overlay_topbanner":"none","gradient_topbanner":"","reviews":[],"offstage_image":false,"offstage_group":[{"offstage_heading":"4\/4 Eftersamtal","offstage_content":"Koreograf Philip Berlin samtalar efter f\u00f6rest\u00e4llningen L\u2019expos\u00e9<\/em> med Mathias W\u00e5g, journalist och aktivist."}],"credits":[{"credits_role":"Koreografi","credits_name":"Philip Berlin"},{"credits_role":"Scenografi, kostym och ljusdesign","credits_name":"Daniel \u00c5kerstr\u00f6m-Steen"},{"credits_role":"Dansare","credits_name":"Louise Dahl, Jim De Block, Madeleine Lindh & Sam Huczkowski"},{"credits_role":"Dansare med i processen","credits_name":"Marc Oliveras Casas"},{"credits_role":"Ljuddesign och nykomponerad musik","credits_name":"Siri Jennefelt"},{"credits_role":"Befintlig musik i f\u00f6rest\u00e4llningen","credits_name":"Kim Gordon, Panther Modern, Dirty Beaches, Modern Ruin, Miss Kittin och The Hacker & Suicide"},{"credits_role":"Produktion","credits_name":"Johnson & Bergsmark"},{"credits_role":"Kreativ teknolog","credits_name":"Adam Seid Tahir"},{"credits_role":"Skr\u00e4ddare","credits_name":"Kajsa-Lisa Larsson"},{"credits_role":"Dokumentation","credits_name":"Palmer Lydebrant "},{"credits_role":"Residens","credits_name":"Kultur G\u00e4vleborg"},{"credits_role":"Samproduktion","credits_name":"Dansens Hus"},{"credits_role":"Med st\u00f6d av","credits_name":"Kulturbryggan"},{"credits_role":"Administration","credits_name":"Interim Kultur"},{"credits_role":"Tack till","credits_name":"Anna Grip"}],"event_startdatum":"2025-04-03 19:00","event_slutdatum":"2025-04-05 19:00","event_duration":"50","event_pause":"0","event_pause_length":"","event_tickets_url":"https:\/\/www.ticketmaster.se\/artist\/1226204?brand=se_dansenshus","event_extra_info":"","post_cards":[],"artist-to-event_from":[]},"_links":{"self":[{"href":"https:\/\/dansenshus.se\/en\/wp-json\/wp\/v2\/dh_event\/47306","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dansenshus.se\/en\/wp-json\/wp\/v2\/dh_event"}],"about":[{"href":"https:\/\/dansenshus.se\/en\/wp-json\/wp\/v2\/types\/dh_event"}],"version-history":[{"count":0,"href":"https:\/\/dansenshus.se\/en\/wp-json\/wp\/v2\/dh_event\/47306\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dansenshus.se\/en\/wp-json\/wp\/v2\/media\/47319"}],"wp:attachment":[{"href":"https:\/\/dansenshus.se\/en\/wp-json\/wp\/v2\/media?parent=47306"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}