Like a living organism, where vibrations and music guide the movements, a propulsive and rhythmic dance unfolds.

Tickets

Venue

Elverket, Linnégatan 69

Duration

50 minutes

23 Oct

19:00

24 Oct

19:00

25 Oct

19:00

26 Oct

19:00

A hairy, silky, seductive, sensual and ephemeral work - where the stage is transformed into an electronic club dance floor with Koreless' restrained and emotional music.

Med Into the Hairy Sharon Eyal and Gai Behar continue their collaboration, creating a work for seven dancers. The work is created for L-E-V Dance Company and in collaboration with London-based artist, producer and electro musician Coreless.

Deep Into the Hairy... Dirty and gentle. Broken. Alone. Alone. Alone. Alone. Deeper. Stronger. Weaker. Sadder. More alone. Hole.
Diamond shining off alone. Mustn't be night. Skies and heart.
My love chapter 245. I LovE you. My Harry........

Co-production of: Montpellier Danse Festival, La Villette - Paris, Salzburger Festspiele - Austria, Sadler's Wells - London, Julidans - Amsterdam, Spoleto Festival dei Due Mondi - Italy, MART Foundation - New York, Dampfzentrale, Bern, deSingel, Antwerpen, Théâtre Sénart, Scène nationale. With the support of the French Ministry of Culture - Direction régionale des affaires culturelles d'Île-de-France, Département de Seine-et-Marne and the support of Orsolina 28 Art Foundation, Italy. Parts of the creation were originally created in the frame of THIS IS NOT A LOVE SHOW commissioned by LAS (Light Art Space), January 2022 at Kraftwerk Berlin.

World premiere: Montpellier Danse, June 2023.

About Sharon Eyal

Sharon Eyal (1971) was born in Jerusalem and danced with Batsheva Dance Company from 1990 to 2008. From 2003-2004, Eyal was the company's associate artistic director, and from 2005-2012, the company's resident choreographer.Today Sharon Eyal lives and works in France. 

 Her distinctive style is strongly influenced by two major strands of her life: her time as a dancer and choreographer with the Batsheva Dance Company, and her great fascination with the club and rave world. 

 From 2009, Eyal also started choreographing for other dance companies, includingKiller Pig(2009) andWalk bodies(2011) for the Norwegian dance company Carte Blanche, andToo Beaucoup(2011) for Hubbard Street Dance Chicago andPlafona(2012) for the German Tanzcompagnie Oldenburg. 

In 2013 she started her own dance company L-E-V together with long-time collaborator Gai Behar. In Sweden, Eyal has worked with the Gothenburg Opera Dance Company on the worksUntitled black (2012) andCar dance(2018) andSAABA(2021) and made the acclaimed works the acclaimed works Bill (2014) and Half Life (2017) for the Royal Swedish Opera Ballet. In autumn 2018 the company presented the acclaimed"Love chapterr2"on the main stage of Dansens Hus. 

 In addition to this, Eyal also has an in-depth collaboration with Dior's chief designer Maria Grazia Chiuri and Eyal has choreographed Dior's seasonal fashion collections several times. Grazia Chiuri is also designing the costumes for Into The Hairy, which will be shown at Dansens Hus Elverket in autumn 2024. 

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The dancers' bodies also soon break free from the spider's embrace and enter into Sharon Eyal's typical and highly recognisable movement language

-DN

brittle strings, but also those heavy, inexorably compelling rhythms that make the dancers move with magnetic precision like an organism in the hazy light.

-SvD

It is powerfully physical with deep animal instincts. Hyper-perfect dancers with toe-tapping skills trip pulsatingly in organic group formations to dance-clubby beats, f

-DN

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