What kind of bodies, stories and narratives are on stage? And what kind of ghosts are we dancing with?
TicketsVenue
Duration
110 minutes
12 Sep
19:00
13 Sep
19:00
Med ONE DROP Sonya Lindfors convenes a spectacular evening, a decolonial dream and an energetic confrontation with the Western stage - in an operetta. Here, she tries to do the seemingly impossible: to kill the immortal.
Title of the work ONE DROP refers to two very different concepts: "one drop"–rhythm which is a reggae-style drum beat, as well as to "one drop"-rule that was part of the racially discriminatory laws in the United States in the first half of the 20th century. According to this doctrine, a single drop of 'black blood' was enough for a person to be considered black - regardless of their appearance or skin colour.
We perceive the world largely through various social constructions, categories, divisions, representations and narratives. We have been taught that there are 'natural' categories such as male/female, black/white or nature/culture. Stories about the nature of the world gain validity as we continue to retell them. But, norms change over time - and what felt natural 200 years ago is unthinkable today. I ONE DROP we dream of a new world - with dreams we do not yet know how to dream.
Through several different starting points ONE DROP into different meanings and examines the ghost that haunts the Western scene through an intricate web of entanglements, relationships, capitalism, colonialism and modernities.
About Sonya Lindfors
Award-winning Cameroonian-Finnish choreographer and artistic director Sonya Lindfors often works with artists and practitioners which explores power, representation and black body politics. She is the artistic director and founder of UrbanApa, a multidisciplinary and versushegemonic art community that offers a platform for new ideas and feminist art practices.
Photo: Tuukka Ervasti
Post-screening discussion with journalist Amat Levin and choreographer Sonya Lindfors.
Continue the evening in the Elverket foyer with DJ Maele Cheza Sabuni.
Together, the team created a joyful, multifaceted, and politically powerful afrofuturistic performance.
Concept, choreography and direction
Sonya Lindfors
Original set
Antonia Atarah, Hamis Ahmed, Nori Kin, Alma Bø Getachew, Mariama Slåttøy, Geoffrey Erista, Isabella Shaw
Participants in the 2024 tour
Senna Vodzogbe, Geoffrey Erista, Deogracias Masomi, Isabella Shaw, Maele Sabuni, Kamilla Halid, Alen Nsambu, Sonya Lindfors
Sound design
Jussi Matikainen
Light design
Erno Aaltonen
Stage design
Aino Koski
Costume
Sanna Levo
Costume assistant
Angel Emmanuel
Rehearsal and choreographic support
Johanna Karlberg
Assistant choreographer
Janina Salmela
Sound design, assistant
Mr Timo Tikka
Seamstress
Elina Tuomisto
Contribution to the process
Alen Nsambu, Ornilia Ubisse, Judith Arupa, Johanna Karlberg and Jaakko Pallasvuo
Dramaturgical support
Mr Jaakko Pallasvuo
Libretto
Sonya Lindfors
Other texts
Sonya Lindfors & working group
Production
UTT ry and Sonya Lindfors
Co-production
Zodiak - center for new dance, Goethe-Institut (International Coproduction Fund), Big Pulse Dance Alliance (a project co-funded by the Creative Europe Programme of the European Union), Dance Umbrella, Julidans, Finnish Cultural Institute for the Benelux, Apap - FEMINIST FUTURES (a project co-funded by the Creative Europe Programme of the European Union), Beursschouwbourg
Residence
Tanzfabrik berlin, KWP Kunstenwerkplaats, Buda Kortrijk
With the support of
Koneen Säätiö, Suomen Kulttuurirahasto, Alfred Kordelinin säätiö, Nordic Culture Point
Pictures and trailer
Tuukka Ervasti