An incantation, an exorcism and a celebration all at once. Exótica is both a tribute and a lesson: meet a lost part of European dance history.

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Duration

90 minutes

6 Sep

19:00

7 Sep

16:00

In early 20th century Europe, artists La Sarabia, Nyota Inyoka, François (Féral) Benga and Leila Bederkhan presented their dances in Europe with great success. However, as these dances were not recognised as part of the Western dance canon, they fell into oblivion.  

I Exótica - On the brown history of European dance - Amanda Piña breathes new life into these works. Here she searches the legacy of racialised dancers who have performed on European theatre stages, in what she calls "the brown history of European dance".  

Exótica is an exuberant ritual where the dances come to life as in a seance where our ancestors, queers and women of colour is part of the present and the past. With dance and speech in a grand scenography, a dialogue is staged with the audience's own gaze and history in focus. With the Exótica Amanda Piña initiates a spell, an exorcism and a celebration all at once. 

La Sarabia, (1878-1988), Nyota Inyoka, (1896-1971), François "Féral" Benga (1906-1957) Leila Bederkhan (1903-1986) travelled through Europe presenting their dances, moving between exotification and the white gaze. What kind of work did these racialised dancers and choreographers do at the time, how was it perceived by contemporaries - and how can we understand it today? Exótica is an evening of togetherness and longing for dance.  

 "With this research, I would like to get to know my direct ancestors: fellow female and queer artists, dancers, and choreographers of colour who lived and worked in Europe at the beginning of the 20th century. This work aims to revive them. It is a spiritual search for what consequences the white norm has, conceiving it as an internalised, self-invisible ideology, an unmarked and unnamed position."

Amanda Piña 

About Amanda Piña

Amanda Piña is a Mexican-Chilean-Austrian choreographer, dancer and cultural worker who alternately live in Vienna and Mexicow City. Her choreographic work is about thecolonisation of art focusing on the political and social power of dance. Her performances are contemporary rituals performed in order to temporarily dismantle ideological differences between modern and traditional, between humans and animals and between nature and culture. Amanda Piña is interested in making art beyond the idea of a product - and to develop new frameworkswork to create sinward-looking experiences. 

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