Chest digs into the assholeness of humanity in an exploratory choreography at the intersection of ecology, animality and masculinity

Tickets

Duration

60 minutes

8 May

19:00

10 May

19:00

11 May

19:00

2023 11 13 Stina Nyberg Chest Image By Jens Strandberg
Illustration by Jens Strandberg

 

The fear that the human race might not survive has been replaced by the fear that it will endure.*

In an attempt to imagine a different world, Chest searches for a common ground from which new figures can emerge. Creating hybrids that are not cars, but living beings simultaneously moving and being moved, embodying the myriad properties of protagonists, landscape, and atmosphere.

Chest is a choreography at the intersection of ecology, animality, and masculinity. It folds practices around seeming binaries such as hard and soft, flaccid and erect, hairy and bald, into contradictory landscapes, switching between atmosphere and personhood in trying out ways of being nature to each other.

In Chest, Stina Nyberg continues to explore new musical horizons, this time collaborating with composer Kaki King, based in New York. King is considered one of the world’s greatest living guitarists, known both for her technical mastery and for her constant quest to push the boundaries of the instrument.

Chest is developed in deep collaboration with dancers Robert Malmborg, Pontus Pettersson and Stephen Thompson as well as the rest of the artistic team Andros Zins-Browne, Kaki King, Jenny Nordberg and Thabiso Kubheka Persson in a joint endeavour to stay with the trouble and the joy.

The work is the third instalment of Nyberg's investigation into humanity's assholery, previously developed in The Dawn Chorus (Northern Dance 2022) and Sweet (MDT 2022).

*Middle C, William H. Gass


In co-production with Dansens Hus. Chest part of STHLM DANCE - an international contemporary dance festival in the Stockholm region from 2-12 May 2024.

2023 11 24 Sweet 02 Webb

About Stina Nyberg

Stina Nyberg är dansare och koreograf med bas i Stockholm. Hennes konstnärskap utgår från kroppens politiska och sociala historia sedd från ett feministiskt perspektiv. Hon intresserar sig för undervärderade kunskaper, magiska praktiker och maktens språk. Stinas konstnärliga processer utgår ofta från en specifik person eller företeelse som nod. Detta leder till en lång tids research om de politiska irrvägar som omger det aktuella temat och hon skapar kedjor av konstnärliga verk i olika format utifrån samma konstnärliga process. Det kan röra sig om scenföreställningar, stadsvandringar, föreläsningar, konserter, texter eller andra format.Hon är del av det feministiska kollektivet Samlingen (Amanda Apetrea, Nadja Hjorton, Halla Ólafsdóttir och Zoë Poluch) som koreograferar platsspecifika nedslag med en kritisk blick på dansens historia. Sedan 2013 samarbetar hon med Sofia Wiberg, forskare i Urbana studier, i en rad konstnärliga undersökningar av kollektiva kunskapsprocesser. Sedan 2024 är hon en del av Rose Choreographic School.De senaste åren har hon fördjupat sig i ett perspektiv kring den rådande ekologiska katastrofen genom en rad spekulationer kring möjligheten av en jord befriad av arten människa. 2022 koreograferade hon verket The Dawn Chorus för Norrdans, följande år hade hon premiär för solot Sweet på MDT och 2024 äger premiären av Chest rum på Dansens Hus Elverket.

2023 11 28 Sthlmdans Logo 1

The selected folder has no items.

Photo by Senay Berhe
Tickets

Share the event:

First hangout 8/5

Opening night hangout after Stina Nyberg's performance Chest.

Post-conversation 10/5

Post-performance discussion with the cast in Chest and Tova Gerge. Tova Gerge is a dramaturge and writer working in the field of performing arts. Interested in themes such as power, body politics and subversive intimacy. Recently published the novel Fearplay (Albert Bonniers förlag).

In "Chest", a rebirth seems possible.

-SvD

Kaki King's suggestively driven guitar loops also act as an effective filter over the impressions and amplify what is going on.

-SvD

Where a foot or shoe placed on someone's back or face can be as much an act of tenderness as a powerful power struggle.

-SvD

The strongest part is where Robert Malmborg takes his place on Pontus Pettersson's body and then doesn't touch the ground for a long sequence, not even when they switch who is on top and who is on bottom. It is a remarkable sight. And marvellously skilfully executed.

-DN

So "Chest" moves from amoebic human lump via chest crushing to an almost euphoric finale, while worlds are born and fall and guitar virtuoso Kaki King's compositions set the mood without taking over.

-DN